My big question:
What does it mean to be alive at a time of late-stage patriarchy and environmental collapse?
To me, this points to the urgent need for coming home to the body and its subtle senses. The body is the literal source of life as well as the metaphor, and we have much to learn from its wordless intelligence.
The body knows it is not just part of nature, it is nature. The body remembers.
I prioritise the female body, because of the culturally embedded misogyny that treats women's bodies in the same way as it treats the Earth: both have been desecrated. A woman's body holds creative, relational and cyclical intelligence. This wisdom is urgently needed.
Your view of the archetypal feminine might represent something quite different, and I celebrate this. We all have a unique view to share, and it's only via collective contribution that we can bring about the cultural transformation we long for.
My Certifications:
M Phil in Creative Writing
M Phil in Creative Writing from the Oscar Wilde Centre at Trinity College Dublin, Ireland.
Masters in Writing
Masters in Writing (1st class honours) from the National University of Ireland in Galway.
Book Coaching
I am certified in non-fiction book coaching training with Author Accelerator (USA), the world's leading book coaching certification.
Feminine Power
My work is informed by the principles of Claire Zammit's Women Centred Coaching to address issues around voice and visibility.
Mindset work
I'm certified in a simple, powerful meditation-based technique for dissolving painful beliefs, patterns and creative blocks.
Embodiment
I'm a teacher of Gabrielle Roth's 5Rhythms: a movement meditation practice that fosters deep listening to the body.
EDITOR:
WALKING TOWARDS OURSELVES (HarperCollins India & Hardie Grant Australia & UK, 2016)
A book of mini memoirs about the gender revolution in India. It went to #2 on bestseller lists after a launch at Jaipur Literature Festival; and a speaking tour to Delhi, Melbourne, Sydney and Byron Bay writers festivals.
My backstory in 5 snippets:
Click on the dots to open & close.
Please skip, if personal backstory isn't your thing!
As a child, I was a book-worm: I injured my back from carrying too many library books around in my school bag.
I read these inside The Body Shop, where I would go after school. My mother had opened a branch for Anita Roddick in Edinburgh, at a time when the products were still home-made. This was my introduction to the intersection of women, nature and the body, and I loved it.
However, when I was ten, we moved from Scotland to Australia. My mother closed her shop, and my life was turned upside down.
Feeling like an outsider in Australia, I buried myself in scholastic pursuits. Books and films saved me. At university I completed an Honours degree in English/Film studies (my thesis was about masculinity on screen). I believed I would go on to write books on film theory.
However, on the day that I submitted my thesis, I fell ill. I remember crawling on my knees through the garden to get to my front door. I was struck down with vertigo so badly, I could barely walk for the following year.
No conventional doctor could figure out what was wrong with me, but eventually a Balinese healer came to my aid. He cured me with a set of acupuncture needles.
We became friends, and over time he taught me how to re-inhabit my body, so that I was no longer seeing it as a 'brain taxi', but rather, as an integrated and highly intelligent energy system.
He introduced me to Tibetan Buddhism, Tantric philosophy, meditation, dance, martial arts, vibrant expressions of aesthetics and beauty.... I woke up to why I was off-balance. I had been giving so much importance to the cerebral that I could no longer feel my feet.
In the Jungian sense, I'd been living from the neck up in logos (left brain, the realm of logic and the rational) and was split off from my eros (right brain, psychic relatedness, intimacy, body, deep feeling).
Over time I've come to see that this problem wasn't unique to me, even though I was an extreme case. It's the 'overstory' we're all living with to a greater or lesser extent, resulting in a widespread loss of empathy, joy, connection and true aliveness.
I worked with literature and film festivals for close to 20 years. I love the live experience: the thrill of observing how narratives can move, influence and expand an audience's perceptions of life.
As Steve Jobs said, "The most powerful person in the world is the storyteller. The storyteller sets the vision, values and agenda of an entire generation to come."
I've contributed to the programming, production and presenting of some of the world's most iconic literary events, including:
As a consequence of living and working in Bali and India since 2008, I have absorbed the many faces of the divine feminine over time. These are still actively worshipped and ubiquitous (even if patriarchal values are primary.)
The sacred feminine - expressed in sculpture, painting, dance, drama, architecture and more - seeped into my bones, expanding my sense of what the feminine is and can be, loosening internalized constrictions that I'd been blind to, and inducing a more blissful state of being.
Things I love:
MULTICULTURALISM. Born in Switzerland to a Scottish father and German mother, I was raised between Scotland and Australia. I have traveled widely, lived on different continents, love Bali, and have a long-standing love affair with India, where I have lived and worked on literary projects and events since 2010.
JOURNALING. Inspired by Julia Cameron's The Artist's Way, I've written morning pages almost every day for 25 years. This practice helps me dial down the noise of the external world and tune into my inner being.
DANCE. Anywhere, anytime. Dance is my big love - not for performance, but for joy. The dance floor is my temple. I've been devoted to Gabrielle Roth's 5Rhythms™ since 1999, I dance every day, and am a certified 5Rhythms™ teacher.
If you and I ever meet in person, let's dance!